Lot #: 80441
Leaf on vellum from a printed Book of Hours. |
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Selling price: $300
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Description
Book of Hours leaf, printed by Thielman Kerver* in 1507. It is printed on vellum in black and red with many initials hand painted in red, blue and gold.
The picture on the verso shows us Jesus with all the things that played a role in His torture and crucifixion: the cock, the hammer and a pair of tongs, the nails and the crown of thorns, the scourge and the dice, the sponge and the lantern of Judas! On the recto is Saint Apolonia, 'grave tormentum pro domino', gravely tormented for the Lord!
*The firm of Thielman Kerver is best known for its lovely printed Books of Hours, many of which include hand-painted miniatures and initial letters. Thielman Kerver, who was one of France's most prolific printers of such books, began printing Books of Hours in 1497, and continued until his death in 1522. At this time, his widow, Iolande Bonhomme, took over the firm, and continued to produce liturgical books of different types until 1556. Brunet notes that even though Kerver printed many different Books of Hours, his work is less common than that of his colleagues, Simon Vostre and the Hardouins. Brunet suspects that is because fewer copies on vellum were printed, and paper copies were destroyed. This may also account for the rarity of the present leaf.
The picture on the verso shows us Jesus with all the things that played a role in His torture and crucifixion: the cock, the hammer and a pair of tongs, the nails and the crown of thorns, the scourge and the dice, the sponge and the lantern of Judas! On the recto is Saint Apolonia, 'grave tormentum pro domino', gravely tormented for the Lord!
*The firm of Thielman Kerver is best known for its lovely printed Books of Hours, many of which include hand-painted miniatures and initial letters. Thielman Kerver, who was one of France's most prolific printers of such books, began printing Books of Hours in 1497, and continued until his death in 1522. At this time, his widow, Iolande Bonhomme, took over the firm, and continued to produce liturgical books of different types until 1556. Brunet notes that even though Kerver printed many different Books of Hours, his work is less common than that of his colleagues, Simon Vostre and the Hardouins. Brunet suspects that is because fewer copies on vellum were printed, and paper copies were destroyed. This may also account for the rarity of the present leaf.
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